The marriage of Othello and Desdemona was a union of different races and colors that the sense of the world has never approved.
His color, they say, is an entirely indifferent matter in the play, and can be all but ignored in the interpretation. Poor Emilia has obviously learned from her husband: When Lodovico comes to deliver a letter to Othello, Desdemona makes a comment which Othello assumes is about her other lover, and he slaps her.
In these accounts projection is loosely used to indicate that Iago expresses unacknowledged doubts or desires in Othello's mind or, in Orgel's reading, Othello's unacknowledged need for a punitive superego ; they generally do not explore the mechanism of projection or consider the degree to which the structure of the play posits Iago—not Othello—as its psychic starting point.
In all these cases the maidens found their true life with the men of their own choice, and the dramatist gives his verdict in making their love happy and successful, and in bringing out of their marriage a larger good to all.
But Iago's only joy comes in spoiling good objects: There need be no attempt to deny the reality of the love of these two, and its effect upon their development, but it was not strong enough or natural enough to overcome all its enemies, as a true and natural love like that of Romeo and Juliet can do.
There is some soul of goodness in things evil, Would men observingly distil it out; but here, it may be said, we are shown a thing absolutely evil, and—what is more dreadful still—this absolute evil is united with supreme intellectual power. Henry the Fifth tells us: How are we to understand Iago's impulse to blacken, the impulse for which Othello becomes the perfect vehicle.
Necessity forces his hand, and, in order to destroy Othello, he must also destroy Roderigo, Emilia, Desdemona, and ultimately himself. Iago's substitution in fact proceeds by stages.
Sinai, and Moses asks God his name. This makes possible what follows, namely the idea that the 'knock-off the 'as-if' is in every way the equal of the real thing. The play Othello was written inaround the same time as the beginning of the African slave trade in Europe.
Baird Callicott is correct to suggest that a significant moral distinction should be drawn between wild and domestic animals.
But the route to this relatively rational meaning is treacherous: In the end, people use the color of Othello's skin to condemn his erratic behavior. They can, thus, use someone's skin color an innate trait that cannot be altered to express their hatred. It is at this point that the second of the great problems of the play emerges.
It is not so much the wilful disrespect to her father that is the fault of Desdemona, though some critics make a great deal of this, but the fact that in marrying Othello she showed a wilful disregard of her own highest interests. Jason Aronson,vii-xi, esp.
It is true, of course, that as in the case of Juliet the passion of love transformed Desdemona from a meek and blushing maiden into a strong and self-reliant woman.
And if the play offers us a rich representation of the effects of racism on Othello, it offers us an equally rich—and in some ways more disturbing—representation of the function of Othello's race for Iago.
Some critics endeavor to make out that nothing whatever of the happenings of the play are in any way connected with the fact that Othello is a Moor.
The maliciousness and malignity of Iago does not spring from the causes to which he himself alludes in his speeches and soliloquies. However, after he brings up the issue of his own race and recognizes how he is different from the rest of society, Othello lashes out in anger at Desdemona, the scapegoat for his overpowering sense of self-loathing: London and New York: This is done in order to see the problem first, then the solution.
In Iago, Shakespeare shows us a character who acts against his reputation. The second is that such evil is compatible, and even appears to ally itself easily, with exceptional powers of will and intellect.
Insofar as Iago can make Othello experience his own blackness as a contamination that contaminates Desdemona, he succeeds in emptying himself out into Othello; and insofar as Othello becomes in effect Iago's faecal baby, Othello—rather than Iago—becomes the bearer of the fantasy of inner filth.
The "blackening" of Desdemona has become a critical commonplace: Iago using his wit, picks up on this and decides to insinuate the idea that Cassio being young, Venetian and handsome is the perfect partner for Desdemona which is also the belief of Brabantio, her father.
There need be no attempt to deny the reality of the love of these two, and its effect upon their development, but it was not strong enough or natural enough to overcome all its enemies, as a true and natural love like that of Romeo and Juliet can do.
He is free to make the choices that ultimately affect his life, and enjoys his self-made position. Having poured the pestilence of himself into Othello, Iago has nothing left inside him: And the play makes Othello quite as conscious as any one else of his diversity of race, though it is to other causes that he assigns his want of grace and culture.
The main cause of complaint and grudge which Iago has against Othello is that instead of appointing him as his lieutenant, he has chosen Cassio for this post, and has given to him Iago the humiliating and low rank of the ensign or the ancient or the standard-bearer. Othello’s Evil Side In the Bard of Avon’s tragic drama Othello there is a very disquieting dimension of the play; this is the evil dimension, which has such depth and intensity that it penetrates not only the mind but the body and soul of the audience.
Mar 29, · This is an analytical essay that examines the racial issues in Shakespeare's play, "Othello." The play ponders whether race is a social fabrication or an innate ugliness of human makomamoa.coms: Othello Thesis Statements and Important Quotes Below you will find four outstanding thesis statements for Othello by William Shakespeare that can be used as essay starters or paper topics.
All five incorporate at least one of the themes found in the text and are broad enough so that it will be easy to find textual support, yet narrow enough to. Shakespeare and Race: Othello's Relationship with Desdemona. From Hamlet, an ideal prince, and other essays in Shakesperean interpretation: Hamlet; Merchant of Venice; Othello; King Lear by Alexander W.
Crawford. Boston R.G. Badger, It is at this point that. Iago is a man with an obsession for control and power over others who has let this obsession take over his whole life.
Necessity forces his hand, and, in order to destroy Othello, he must also destroy Roderigo, Emilia, Desdemona, and ultimately himself. It depicts the attitude of European society towards those that were different in colour, race and language.
In Europe, people of white complexion were the majority and all other races were considered to be less important and inferior. There are several characters in this play that portray this mentality.Iagos evilness vs othellos race